The Imaginarium of Doctor Parnassus
February 11, 2010 § Leave a comment
I went into The Imaginarium of Doctor Parnassus knowing I’d love it, and so I did. My thoughts:
1. In order to fully comprehend this movie, you need to know that Heath Ledger died midway through filming. I would recommend reading Roger Ebert’s review to prepare yourself for the revolving door of actors.
2. It’s a colorful fantasy film that is kind of along the lines of Charlie and the Chocolate Factory and The Fall, two of my favorite movies.
3. Heath Ledger AND Johnny Depp?? HELLO? [And Jude Law & Colin Farrell if you’re into that kind of stuff.] We all know that Depp looks great with eyeliner, but did you also know that it’s not bad on Farrell, totally wrong on Law and almost unnoticeable on Ledger [probably because we’re used to seeing his Joker face]? Yet, the film does not focus solely on that character; it goes deeper than I expected.
4. My friend Joe didn’t like it because he thought too hard about everything. Just let go of logic and enjoy the journey. That way, everything is also hilarious instead of confusing.
5. Lily Cole plays her role memorably — much respect to the former model.
6. It was Heath Ledger’s very last film. He will never make another after this one. Enough said. [Can you tell he was my favorite actor?]
At Last
January 15, 2010 § Leave a comment
I just got back from watching Avatar [thanks for taking me, Philip!], and my mind has been blown. [It was my first 3D movie!] It’s a little late to write a full review, so I’ll just share my thoughts briefly.
1. Holy cow, they are beautiful. There aren’t a lot of butt shots, but the men wear these little thongs…
2. The big red dragon [Toruk Makto] resembles a Pokémon: a cross between a Latias & that thing on the cover of Ruby.
3. I understand that the frustrating corporate forces are part of the story, but it’s unoriginal and one-dimensional. That colonel’s character is difficult to believe.
4. Na’vi, like Vulcans, are seemingly perfect life forms that we think we want to be, but do we really? Could we really live that way after existing in the attention-deficit, irreverent universe that is 2010?
5. It’s all a bit self-loathing. Yay the humans are dying/losing!
6. Like for Jake, this fantasy makes real life seem trivial.
7. I’m glad American movies generally are guaranteed a happy ending.
8. I was thinking of joining Archery Club at HKU before watching this film, and now that I’ve seen it…how could I not try it out?
I Don’t Have A Heart.
November 28, 2009 § 6 Comments
Being a ninja has never been scarier or bloodier.
I had high hopes for Ninja Assassin. The trailer seemed filled with action and Asian choreography — what’s not to love? I’ve been seeing pictures of Rain’s transformation and was excited to see him in action.
The very beginning of the film showed promise. Sung Kang, whom I recognized from Tokyo Drift, plays some kind of mob boss who is getting tattooed while his lackeys hang out. On the big screen, it’s rare to see a room full of Asians who are fluent in English, but the enjoyment stopped there. The lines uttered between Sung Kang and his wizened tattoo artists are full of overacting, and the lousy script didn’t help.
Soon afterward, we were treated to a display of violence so gratuitous that I had to shield my eyes from the sheer brutality. In every fight scene, blood sprayed like water coming out of a whale’s blowhole. Is it really possible for ninja blades really able to cut cleanly through a human’s torso?! This was the resounding question in my mind for the whole movie. I know that our belief is supposed to be suspended, but perhaps director James McTeigue could’ve tried to exercise just a bit more restraint in this area.
Rain is the headlining star in this movie [which might partly account for the relatively low budget]. This is good because it means we get to see him a lot, but disadvantageous because he’s still a comparatively amateur actor whose English is imperfect — carrying a film is a big burden. Also, his hairstyle in this movie is awful.
Much like the seventh Harry Potter book, the first half of Ninja Assassin has no plot. It consists of three vaguely connected subplots: a Europol agent trying to uncover the ninja clan with no apparent motive, Rain working out in his apartment, and Rain’s flashbacks of training to be a ninja. The film’s problems begin here.
Although most of the movie is set in Berlin, everybody inexplicably speaks English. I understand that many American movies do this out of convenience, but there isn’t even an attempt at pretending these people are German. Actress Naomi Harris speaks with an American accent the entire time, as do all the other Europol agents except for her co-worker, who has a British accent. In fact, the setting of Berlin is such a trivial detail that they might as well have been FBI agents. Unfortunately, her scenes are so boring that I spent most of them typing notes of complaint into my phone to remember later when I wrote this review.
The more important issue with language comes from the fact that this film heavily features Asian [and Asian American] actors. I would firstly like to ask why Ninja Assassin chose two Korean singers to play the lead character. If I were Japanese, I’d be offended that they didn’t bother to find an authentic representative. [Still, Lee Joon is not bad at his role as teenage Rain, and his English is pretty good as well.] To pile on the confusion, EVERYBODY in this movie speaks English, including the Japanese ninja master and his entire clan. The film would have been much better if the supposedly Japanese people actually spoke Japanese — the oversimplification makes the cheesy lines sound even stupider.
I don’t know very much about ninjas other than the stereotypes, and the ninjas in this movie are much less subtle than I’m used to. They whisper creepy threats when emerging from the shadows and run through the streets [and get hit by cars] in pursuit of prey. What? Aren’t they supposed to be stealthy and discreet? Instead, they leave blood spatter everywhere. As powerful as he is, even Rain is not very smooth when jumping from platform to platform, and there are many cringe-worthy scenes of him acting like a crazy, murderous fiend. It adds a human element, I suppose, but it all somehow falls to the wayside during the very last fight scene.
My final complaint is the total lack of character development. We never get to see what’s going on inside of the main character’s mind. Nobody really has a motive to do anything, and the end of the film is dissatisfying because of the total lack of direction. Rain stares off into the Japanese landscape with a slight smile, but what does it mean? Did he learn anything in the course of the 109 minutes? I certainly didn’t.
There are a few redeemable qualities to Ninja Assassin, but not enough for this review to be favorable. For one, every scene featuring Rain’s torso is incredibly hot, even when he’s covered in blood and battle scars. The choreography is entertaining [though not beautiful or inspiring], as is the cinematography. Also, Rain’s weapon [two blades swinging on a long chain] was really cool. Props to him for doing most of his own stunts.
In the end, I don’t regret seeing this movie. I’m happy to support Asian artists trying to break into the American entertainment industry, and I just hope that the next films will be better.
There Is No Owl
October 28, 2009 § Leave a comment
This is exciting — it’s my first time reviewing a movie before its actual release date! Last night I had the chance to go see a free pre-screening of The Fourth Kind, which is basically an alien thriller based on what appear to be facts.
I normally avoid scary movies like the plague, but the “based on true events” part intrigued me — aliens can’t be that scary, right? — and I hadn’t seen the trailers for this film, so I had no idea what to expect.
The Fourth Kind starts with actress Milla Jovovich actually addressing the audience, telling us that the film is based on actual audio and visual footage collected by psychiatrist Dr. Abigail Tyler, whose work and recollections fuel the plot. These “recovered” videos are actually interspersed throughout the film, giving it a feel of weighty reality but also serving as a constant reminder that we are simply watching these people act out a story.
The first half plays out like one of those ghost-hunter shows on TV that I sometimes find myself sucked into — they never fail to disappoint. I’ve never seen the discovery of an actual poltergeist in those haunted houses or abandoned prisons; those shows are mostly flashy video-editing and re-enactments of grisly murders and the like. I kept waiting for actual action to occur. With the constant splicing of “original” audio and video, the film also felt more like a docu/mockumentary than actual movie.
The Fourth Kind also attempted to make white owls the next girl-with-long-black-hair-crawling-out-of-a-well. Sorry, but that kind of kitschy enterprise simply will not work with blurry close-up shots of Hedwig.
Once the film gets past the drawn-out expository dialogue, the disturbing stuff develops in spurts. Suicide, levitation, possession and — of course — abduction led to an inconclusive ending and overall freaky film. I would say more, but I don’t want to spoil it.
I’m skeptical as to how much to believe. Despite the insistence that these events were real, we must remember that film directors are not journalists, and they have no obligation to differentiate truth from an ad campaign. Still, my first inclination was to believe [but I’m pretty gullible]. Somebody that sits through this entire film laughing is not fully appreciating it. I’m pretty perturbed by the images that have stamped onto my mind, and I kind of wish I hadn’t watched this film. Wimpy people such as myself should stay away from The Fourth Kind: in theaters Nov. 6!
