I Am Not A Program
December 30, 2010 § 1 Comment
I haven’t blogged about any movies recently, and this is partly because I haven’t been to a theater in a while and also party because none of the movies I’ve seen recently have given me time to gather my thoughts about the movie while it was still playing. Enter Tron Legacy, which I watched in 3D with the extra pair of glasses slipping off my face.
It took me a while to see this movie because I didn’t know if I wanted to. All the hype put me off, the reviews were bad, and I wasn’t very into the original Tron. Finally though, my curiosity got the best of me, and I figured that I needed to watch this in a theater while I had the chance.
This review might contain a few spoilers; I’ve tried to keep it as vague as possible, but then again, if you’re worried about the plot being spoiled for you, you’re probably setting your standards too high. I didn’t expect the storyline to be spectacular, but I didn’t expect it to try so hard either. It’s hard to take this film seriously, and I can’t figure out if it wants us to at all.
Films with weak plots leave me with more questions than Inception did. For example, why is the character of Tron so obviously the ONLY one who can wield two discs? Why do programs watch other programs fight each other? What real-life technological situation is this supposed to simulate?
Before Tron Legacy begins, it tells us that some of the movie is shown in 2D because that’s how it was shot and “meant to be viewed” or something like that. Why did I pay to watch a movie in 3D if only half of it is? Shouldn’t I just pay half of the inflated 3D price? This whole 3D fad had better be pulling the movie industry out of the slump it seemed to be in a few years ago, because it definitely isn’t benefitting my budget a whole lot.
The acting is stilted and the script is rather shoddy. At one point, when Flynn and Quorra are staring out into the darkness by the pool, Flynn turns away and declares, “Chaos. Good news.” Maybe I just wasn’t paying enough attention, but it was just so…random. We couldn’t help but laugh.
The actor who plays the Sam Flynn, Garrett Hedlund, has a stupefied, wide-eyed expression the whole time, but at least his crying is good. There are a lot of gratuitous shots of Olivia Wilde — tilting her head slowly, stretched out on the couch, staring at things — they’re pretty and pretty useless. I thought I saw a really hot Cillian Murphy in the conference room at the beginning of the film, but since he’s not listed in the credits, I can’t figure out who it is.
Of course, it’s not hard to get into the action; it pretty much looks like the most awesome video game EVER. The neon stripes, the glowing lights, the immaculately clean lines, etc. The racing scenes were so good; I wish there were more of them. Everybody speaks with autotune, which would definitely be a hit in the American music industry. The soundtrack fit the film perfectly, and it’s hilariously cute that Daft Punk played the DJs in the club scene.
At times this movie is similar to Narnia’s The Lion, The Witch & The Wardrobe: The Creator is on the run from the corrupted entity who is hellbent on evil & is raising an army of destruction…but what exactly is the destiny Clu talks about? To invade the real world and digitalize it? Can his minions be destroyed there? Would they be invincible?
My questions are many, but they don’t really affect the visual experience. Afterward, my mind was reeling from the movie, and it felt amazing just to drive home while listening to good music [in my case, MGMT].
What’s Your Dream?
November 25, 2010 § Leave a comment
I detest the American movie industry for using 3D to squeeze more money out of consumers. Sure, Avatar was great, Alice In Wonderland was mediocre, but I’m sure I could’ve done without 3D in both. But it’s becoming unavoidable, and thankfully the new-ish theater in Naperville has $3 Wednesday specials for college students…to which another $3 was added because of the 3D. Sigh.
Anyway, this all leads me to my thoughts on Disney’s Tangled. I knew from seeing the preliminary sketches [last year? Years ago?] that I wanted to see this film. As I’ve mentioned before, Rapunzel is my favorite fairy tale, and now that I’m home, I have images from the picture book that I used to read over and over again.
The stories are different [in book version, Rapunzel’s love interest is the royal, not vice versa, and the old lady is an evil witch bent on revenge] but end pretty much in the same way.
Naturally, I LOVED the movie. The artistic design is amazingly beautiful, and although I’m still unconvinced as to the ultimate usefulness of 3D, I would say that the effects enhanced the animations. You can tell from the visual details that Disney didn’t try to half-ass this one.
Rapunzel is absolutely GORGEOUS. The male protagonist, Flynn, is also absurdly attractive, and together they make the most beautiful couple that I’ve ever seen on the big screen. [They’re currently battling Aurora/Philip as best-looking animated duo in my mind.] Seriously, though, her huge green eyes, his perfectly sculpted profile and slim hips, her obviously flawless golden hair…I could go on and on but that would probably creep out normal people.
The storyline has elements from The Little Mermaid, Cinderella, Sleeping Beauty, Aladdin, Enchanted, and many others, I’m sure. They were familiar concepts but didn’t feel recycled. It was as if Disney learned from their greatest films and used the best parts of all of them. The cute parts were SO cute, and the musical numbers were enjoyable, especially “Mother Knows Best.”
Rapunzel is a more realistic, lovable character. She’s talented, earnest, honest, and has ninja-like capabilities with her hair. The antagonist is depicted as a human character and not simply an old witch with inexplicable magical powers. Flynn’s character was extremely cookie-cutter, but honestly he was so good-looking that I could look past it……
I could keep blabbering, but you should just go watch it. The only criticism I recall is that the character of the horse is a bit too much. I mean, it was certainly amusing, but they took the character a little too far. In any case, this movie demonstrates that Disney can still be a healthy competitor for Pixar. I just want to watch it again and again!
This Land Is Your Land, This Land Is My Land
November 17, 2010 § Leave a comment
I’m taking a US Environmental History course this semester to fulfill my upper-level social science credit — it sounded boring [what could there possibly be to talk about? Changes in climate?] but I would do anything to avoid taking a political science or economics class.
Once again proving that my assumptions are almost always incorrect, this class has taught me more crucial information than any other gen-ed I’ve taken. It is, in short, a study of how humans relate to their environment and vice versa.
When you look out at a typical American landscape, you see grass, trees, and a clear expanse of sky. The suburbs in which I’ve grown up, at least, differ drastically from the hazy pollution of urban China, and I’ve always consumed the clean air and water of America with confidence.
Yet I’ve never seen the ecological battle that occurs every day on this continent. We’ve learned that the Dust Bowl of the 1930s, of which I had only barely heard about in elementary school, was not a freak incident of nature but a result of massive erosion due to poor farming tactics that stripped the land of its natural vegetation. During the beginning of America’s colonization, flocks of birds numerous enough to darken the sky were hunted mercilessly for sport; dams and overfishing have cut off many fish from their natural routes between hatching and developing, not to mention the endless invasive species transported to various bodies of water to keep some semblance of life. The earth is struggling around us.
Our first lesson was about Native Americans. Most people, currently as well as in the history of our nation, have had a romanticized vision of the nomadic American Indian who only kills what he needs and uses every part of a bison, demonstrating a spiritual connection to nature and as small of an environmental footprint as possible. But this is inaccurate, a stereotype, not too dissimilar from the “straight-A student” ones that Asian Americans face today.
When colonists first set foot in America, they stepped into a landscape that had already been transformed by the people living there. Native Americans regularly set brush fires to clear the plains of shrubs, and they also had bison jumps, which were basically cliffs from which they drove herds and herds of bison to their deaths. It was certainly a wasteful way to hunt, since there was no way to preserve the piles of carcasses, but it’s an intelligent strategy much safer than chasing a bison with a spear. The point here is historical agency — our idealized notion of Native Americans robs them of the power to change their environment, which they inarguably did because they were reasoning, capable people.
But the breadth of environmental change caused by non-Native Americans has been so much more devastating.
For the past week, we’ve been watching a documentary called Blue Vinyl, created by Judith Helfand. The film documents the consequences of PVC plastic, primarily in the form of vinyl siding used on millions of houses across America.
A clip:
In summary, this is what I learned:
1. PVC, a cheap and efficient form of plastic, is everywhere from the side of your house to your pipes and toys and other plastic things.
2. PVC is made from vinyl chloride, the life cycle of which makes it one of the most hazardous consumer products in existence due to the toxins that are released when PVC is produced and disposed of.
3. Burning PVC, which is the most common and easiest way to dispose of the product, produces toxic fumes.
4. These toxic fumes are dioxin, which causes tumors in those exposed to vinyl chloride. Factory workers as well as those who live near factories develop angiosarcoma of the liver, a rare form of cancer.
5. European vinyl chloride manufacturers actually signed a pact of secrecy with American companies not to publish scientific reports that showed correlations between vinyl chloride exposure and angiosarcoma.
6. When the documentary was being made, PVC executives in Venice were being charged for manslaughter due to deaths of their factory workers. The thing is…they simply don’t care, and were all acquitted by the jury.
It’s hard to fight vinyl. The plastic is cheap, durable and ubiquitous. Realistically, most people can’t afford to build their houses with another material. Blue Vinyl highlighted the fact that vinyl corporations donate millions of dollars in products to Habitat For Humanity in order to provide families with affordable housing.
But cheap consumer prices don’t reflect the cost to the environment. As Americans, we can’t escape the capitalist frame of reference: our minds are always thinking in terms of cost-benefit analysis. Recycling vinyl is immensely expensive, so is it worth the effort? Is it worth it if the trade-off is the release of cancerous chemicals into the environment?
I have a friend who is adamantly against recycling, something about the effort being more expensive than simply throwing the materials away. But when you pit monetary cost against ecological cost, is it really okay for the environment to come out on bottom?
Vinyl is worrisome, but there are precedents of hazardous materials becoming obsolete. Before 1900, asbestos was a popular building material, but after discoveries just a few decades ago that exposure led to diseases such as cancer, governments began passing laws to phase the material out of consumer products. It’s possible for us as consumers to take control of what is sold to us and how it might harm our world; it starts with educating yourself.
Chinagalese
October 24, 2010 § 4 Comments
Did you know that there are tons of Chinese people doing business in Africa? This is a short documentary on their motives, struggles and successes, as well as the larger economic impact. [It also shows the happiest baby I’ve seen in my life.]
When I watch something in Chinese with English subs, I realize just how much the subtitles leave out. [I wonder if I miss 50% of the content of Korean shows because of this language barrier…] And OMG at 21:50 the main interviewee reveals that he’s from SHENYANG, my hometown! MY BROTHA! No wonder I could understand him much better than the other Chinese people HA HA HA
Anyway, some screenshots for you to enjoy if you’re too lazy to watch it:
But as more Chinese make their way into Africa, competition will increase, hmm…
They’re at a karaoke place that caters to Chinese customers [don’t ask about the cleavage-y lady on TV]
I wonder what’s more intimidating, Africa or America?
lol @ his USA shirt
COMMUNISM FOREVER BWAHAHAHA
…kidding.












